monkey xiumin hanging on the bus

(Source: minseoked, via seokkable)

Timestamp: 1408509738

monkey xiumin hanging on the bus

(Source: minseoked, via seokkable)

chen and chanyeol waving to the camera enthusiastically and then there’s xiumin…

(Source: minseoked, via seokkable)

Timestamp: 1408509719

chen and chanyeol waving to the camera enthusiastically and then there’s xiumin…

(Source: minseoked, via seokkable)

(Source: sallizzle, via wicked-souls)

9prodlums:

Polygons measuring spoon

(via minsuckit)

Timestamp: 1408509034

9prodlums:

Polygons measuring spoon

(via minsuckit)

wetheurban:

DESIGN: The Future of Makeup Has Arrived

Using incredibly precise light projectors, Nobumichi Asai has demonstrated how a person’s face can be digitally altered in real-time.

Read More

(via gnumblr)

Timestamp: 1408508479

wetheurban:

DESIGN: The Future of Makeup Has Arrived

Using incredibly precise light projectors, Nobumichi Asai has demonstrated how a person’s face can be digitally altered in real-time.

Read More

(via gnumblr)

humansofnewyork:

"We don’t like pictures like this. It is not good to deduce an entire country to the image of a person reaching out for food. It is not good for people to see us like this, and it is not good for us to see ourselves like this. This gives us no dignity. We don’t want to be shown as a country of people waiting for someone to bring us food. Congo has an incredible amount of farmland. An incredible amount of resources. Yes, we have a lot of problems. But food is not what we are reaching for. We need investment. We need the means to develop ourselves." 

(Kinshasa, Democratic Republic of Congo)

(via mohnundgedaechtnis)

Timestamp: 1408478072

humansofnewyork:

"We don’t like pictures like this. It is not good to deduce an entire country to the image of a person reaching out for food. It is not good for people to see us like this, and it is not good for us to see ourselves like this. This gives us no dignity. We don’t want to be shown as a country of people waiting for someone to bring us food. Congo has an incredible amount of farmland. An incredible amount of resources. Yes, we have a lot of problems. But food is not what we are reaching for. We need investment. We need the means to develop ourselves." 

(Kinshasa, Democratic Republic of Congo)

(via mohnundgedaechtnis)

justmargaret:

hiddenhogwarts:

After Fred died George developed a line of Cheering Chocolates, Nightmare Nougat and Memory Mallow for himself and others with PTSD. 

Eventually he expanded the line to Safe Silent Sparklers for those with sound sensitivities or triggers and Trigger Talismans which vibrate and block out sound when a trigger is said so that the wearer can leave. 

HEADCANON SIGNED, SEALED, DELIVERED, AND ACCEPTED.

(via mohnundgedaechtnis)

mangoestho:

infinite—igloos:

I am so thrilled to finally be able to announce the project I’ve been working on for the past year.

Today marks the launch of a new magazine started with my cousin Sagal, called Araweelo Abroad.

It is an online magazine for Somali women in the diaspora. It is time we got a safe space to talk about dual identities and our struggles to find ‘home’.

We are now accepting submissions.

Follow us on both Instagram and twitter @araweeloabroad !
Tumblr and website coming soon.

Xo

(via maarnayeri)

Timestamp: 1408338500

mangoestho:

infinite—igloos:

I am so thrilled to finally be able to announce the project I’ve been working on for the past year.

Today marks the launch of a new magazine started with my cousin Sagal, called Araweelo Abroad.

It is an online magazine for Somali women in the diaspora. It is time we got a safe space to talk about dual identities and our struggles to find ‘home’.

We are now accepting submissions.

Follow us on both Instagram and twitter @araweeloabroad !
Tumblr and website coming soon.

Xo

(via maarnayeri)

blastedheath:

Vieira Rodrigues (Portuguese, b. 1947), Sand Storm, 2013. Enamel (alkyd resin) on acrylic glass, 120 x 110 x 4 cm.

(via wowgreat)

Timestamp: 1408338439

blastedheath:

Vieira Rodrigues (Portuguese, b. 1947), Sand Storm, 2013. Enamel (alkyd resin) on acrylic glass, 120 x 110 x 4 cm.

(via wowgreat)

Fear of the future is a waste of the Present.

Timestamp: 1408338318

Fear of the future is a waste of the Present.

gnumblr:

I live for Apophysis-rendered gifs

(Source: gingyninjy)

Timestamp: 1408338287

gnumblr:

I live for Apophysis-rendered gifs

(Source: gingyninjy)

polka-dot-clouds:

I will show this photo to my kids when they don’t believe me

(Source: poyzn, via stroplok)

Timestamp: 1408338200

polka-dot-clouds:

I will show this photo to my kids when they don’t believe me

(Source: poyzn, via stroplok)

red-lipstick:

Lorraine Shemesh (b. 1949, Jersey City, NJ, USA) - 1:  Painted Pools, 2011   2,3:  From Painted Pools series (details), 2011       Paintings

(Source: lorraineshemesh.com, via 2headedsnake)

Timestamp: 1408338015

red-lipstick:

Lorraine Shemesh (b. 1949, Jersey City, NJ, USA) - 1:  Painted Pools, 2011   2,3:  From Painted Pools series (details), 2011       Paintings

(Source: lorraineshemesh.com, via 2headedsnake)